Какой синдром был у ривер to the moon

River Elisabeth Wyles is a main character in To the Moon and the wife of Johnny. She had a form of Autism Spectrum Disorder formerly known as Asperger’s Syndrome. River passed away before the main events of the game began.

History Edit

The carnival meeting Edit

River first met Johnny in the woods outside a local carnival when they were children. The two stargazed and created a rabbit constellation using the moon as the rabbit’s belly. River told Johnny that she’d always thought the stars were lonely lighthouses that were too far apart to communicate, and all they could do was merely shine their lights towards one another. When they heard Johnny’s mother looking for him, the two agreed to meet again there the next year, and declared that they would reunite on the moon if they ever lost each other. Before leaving, Johnny gave River a stuffed platypus toy, something she would go on to form a great attachment to, as well as a hacky sack.

Unfortunately, Johnny later forgot his meeting with River after being prescribed a form of beta-blockers that effectively wiped out many of his memories from his early childhood. The two wouldn’t see each other again until their adolescent years.

Relationship with Johnny Edit

Years later, the two happened to go to the same high school. Due to her Asperger syndrome, River had difficulties expressing herself and communicating with people, and she was regarded as odd and an outcast by most of her fellow students. Johnny, however, thought that her weirdness was attractive. With his best friend Nicholas’ support, Johnny asked River out on a date and they began a relationship together.

The two eventually went on to become married as they grew up. Their wedding took place near a lighthouse. Since lighthouses held an immense sentimental value for River, she quickly became attached to it. She named the lighthouse “Anya”, and they continued to visit the place long after they were married.

Paper rabbits Edit

One night on the cliff overlooking the lighthouse, Johnny confessed to River that the reason he’d asked her out at high school was merely because he’d wanted someone who stood out from the others. River didn’t react until Johnny referred to it as their first meeting. Surprised, she handed him the hacky sack he’d given her in their true first meeting at the carnival, and asked him if he would throw it “as far as Anya’s at”. She was shocked as Johnny heeded her request and threw it away like it is nothing, and at that moment she truly realized that Johnny didn’t remember their first meeting at all. 

As her Asperger’s made it difficult for her to remind Johnny of his childhood through direct conversation, River attempted to do it by folding copious amounts of paper rabbits, which were supposed to represent the constellation they’d made together. She also cut her hair the way she’d worn it back then. However, it failed to provoke anything out of Johnny. She continued to fold the origami rabbits day in and day out every single day the rest of her life, although it would be in vain.

The cliff house Edit

Time passed, and late into their adulthood, Johnny told River that they would be able to save up enough to build a house near the lighthouse. River was thrilled to be able to watch over Anya every single day. During its construction, however, River would be diagnosed with a late stage terminal illness. Due to their financial limitations, Johnny became conflicted over whether he should finish building the house or redirect the money to River’s treatment instead. 

Johnny lied to her that they will have just enough money for both, but River knew they won’t. She refused the medication and wishes that Johnny would spend the money on the construction. She then gave Johnny a different paper rabbit than she usually folds: it was colored blue for the head and legs while the torso was yellow, to resemble the yellow of the moon that made up the belly of the constellation in the dark sky. But unfortunately for her, Johnny was unable to remember, and even after her death, he would never understand why she’d gone to lengths folding those rabbits.

She was buried in front of the lighthouse. Johnny would then complete the house’s construction, as she’d wished, and live there alone, until he eventually hired Lily as his caretaker. When he dies at the end of To the Moon, he is buried right next to his wife.

Appearance Edit

In her younger years, she wore a sleeveless blue dress and underneath it, a short sleeved white shirt. As a teenager and young adult, River had long, vibrant orange hair that ran down the majority of her back, green eyes, and fair skin. She would often wear an elegant blue dress with a long-sleeved, white shirt underneath. In her elderly years, her hair turned gray and became somewhat shorter. 

Relationships Edit

Johnny Wyles Edit

Main article: Johnny Wyles

Johnny was River’s husband and the love of her life. The two first met as kids, wanting to escape the noise and crowds of a local carnival. Together, the two stargazed and created a rabbit constellation. Before leaving, Johnny gifted River a stuffed toy platypus, an item she would cherish for the rest of her life. The two agreed to meet up next year at the carnival, but due to beta-blockers, Johnny forgot about ever meeting River. River, however, did not forget and waited patiently every year for Johnny to return.

The two met again in middle school, with Johnny forming a crush on River and asking her out on a movie date. The two remained close into their adult years, in which they married. Throughout the marriage, River made subtle attempts to jog Johnny’s memory and make him remember their first meeting. One way she would do this was by crafting countless paper rabbits, referencing the constellation they created together as kids. Ultimately, Johnny would never end up remembering their first encounter, much to River’s sadness.

In their older age, River requested for Johnny to build a house near her favorite lighthouse, Anya. At the same time, River was diagnosed with a late-stage terminal illness. The cost of building the house would mean River would be unable to receive treatment, but she insisted the house be built anyways. She would eventually pass away, with Johnny being devastated by her death. Her death ultimately triggered a subconscious desire deep in Johnny’s brain to go to the moon so that he could see her again.

Colin Reeds Edit

Main article: Colin Reeds

As revealed in Paper Memories, River and Colin were actually classmates and were seated next to each other for some time. Though initially silent towards Colin as a result of her disability, the two would form a brief friendship over their shared love of origami. Colin gifted River a book on origami so that she could continue to practice at home. Eventually, a seat change would separate the two. One day while hanging out with Faye, a paper airplane struck Colin on his head. It’s revealed after that River actually crafted the airplane and launched it from her window, having mastered origami thanks to Colin’s book.

Gallery Edit

References Edit

На официальном сайте Freebird Games основатель и глава
студии заявляет: «Звать меня Кан. Я пишу истории и музыку, после чего
превращаю все это в игры. А потом я их ем. Ням-ням-ням». На деле все
обстоит несколько иначе. Да, Кан Гао действительно делает игры.
Но едим их мы.

Quintessence: the Blighted Venom, и To the Moon, и все, что между ними, — удивительные
и очень разные проекты, с головой погружающие… в пиксельный мир, созданный в
«конструкторе игр» RPG Maker XP. И скоро Freebird подадут нам A Bird Story,
новый кусочек вселенной To the Moon.

Мы решили, что это однозначно повод пообщаться с Каном,
поговорить об игре, да и не только. A Bird Story мы уже обсудили в превью, ну а теперь —
о самой студии, о ее прошлых достижениях и планах на будущее.

К разработке игр Гао, как он говорит, подтолкнуло неуемное
желание выразить себя, и было это около восьми лет назад. И оно же, это желание,
до сих пор рулит его бурной фантазией. «Никогда не был особо общительным,
— признается Гао, — и большую часть времени проводил наедине с собой.
Ну а сочинение историй стало для меня одним из немногих способов общения с
людьми. В конце концов я нашел для себя инструмент, позволяющий рассказывать
интерактивные истории, — RPG Maker XP».

Разумеется, RPG Maker — не чета полноценным игровым движкам.
Его возможности упираются в навык и талант, но далеко не безграничны. «Комнатный
Пикассо» вполне может с его помощью нарисовать полсотни картинок и сделать
полноценную visual novel вроде Saya no Uta. Попытки же прикрутить к игре
геймплей неизменно заканчиваются пикселями размером с кирпич и минималистской
анимацией. А это, как-никак, барьер для многих игроков.

Так почему же, собственно, RPG Maker? Нужен ли он кому-нибудь
сегодня, когда вокруг полно доступных технологий вроде Unity?

Один из плюсов RPG Maker в том, что над игрой легко и удобно
работать и порознь, и в гордом одиночестве. У Freebird нет ни офисов, ни персонала,
ни прочего официоза. «Моим «офисом» всегда была моя спальня. Поэтому меня
очень веселят письма с просьбой о стажировке во Freebird. Конечно, со времен
моих первых экспериментов многое изменилось, и теперь я могу рассчитывать на
помощь очень добрых и талантливых ребят — в основном старожилов форума
Freebird. Если у меня возникнут трудности, я просто напишу любому из них, и мы вместе
что-нибудь придумаем. Никаких проблем!»

Помогают Кану Гао в основном с графикой. Красивые задние
планы да отсутствующие в стандартной библиотеке «Мейкера» предметы — вот большая
часть того, что он поручает своим единомышленникам. Основными компонентами
игры, от сценария до музыки, разработчик традиционно занимается сам. Впрочем,
границу между написанием сценария и музыки Гао не проводит. Ему так даже
удобнее.

Разумеется, то, что студия крошечная, накладывает свои
ограничения, но с этим Кан Гао мирится очень легко:

Если Дэвид Кейдж и Telltale делают интерактивное кино, то
игры Freebird — это скорее интерактивный кукольный театр, где на сцену с
картонными декорациями выходят ряженые человечки. Выходят не потрясать
воображение спецэффектами, а кое-что вам показать. Девочку, ползущую по
цветку к птице. Парня из глуши, готового на все, чтобы сдержать обещание. Мать,
экономящую каждую копейку, чтобы устроить сыну праздник. Умирающего старичка,
который мечтает побывать на Луне…

Это может быть что угодно и кто угодно, важно одно: ты
закрываешь глаза на графику и анимацию, не ждешь погонь, драк и дождя из
вертолетов. Ты просто внимаешь каждому слову, веришь каждому событию и
понимаешь: черт с ним, с RPG Maker. Не важно, сколько весит и как выглядит
игра, если она способна приклеить тебя к монитору и не отпускать до финала.